This week, we have been able to go out and walk with fewer restrictions. This means that I have been able to get out into the landscape to draw, bringing back to my mind the question of drawing as part of the painting process. Just a couple of hours walking on Marsden Moor enabled me to create some quick simple sketches. You can see my previous blogs about drawing during lockdown here. I love to draw on location and those of you that follow my work will know that drawing is the basis of a lot of what I do.
Since lockdown containment vs. expansion have been on my mind. I have been working from a small room at home instead of a large studio in an old mill. I talked about some of the changes I was making as a result of lockdown in my last blog: Taking Stock and Forging New Approaches. Of course, when our world changes, to be smaller, more contained and restricted, you would expect the things we create to somehow reflect that change….maybe. This blog talks about what I have found in my work and how I see it progressing.
The world has changed considerably since my last blog post a couple of weeks ago when I shared my new exhibition: About Ashton in the market hall Ashton-Under-Lyne. As we end our first week in lockdown in the U.K. every day seems to present some fresh unfamiliar challenges. Whether around health, family, money, work-the list seems endless. It’s easy to get overwhelmed and consumed by it. But on reflection, taking stock and forging new approaches could be just what we need.
As of today, Tuesday 17th March 2020, my About Ashton exhibition is on show in the Market Hall, Ashton-Under-Lyne!! You can read more about the venue in a previous blog here. After a few months putting this work together, it feels like a mixture of excitement, nerves and relief! On a practical note, it is likely that many fewer people will get to see it in person than we originally thought. This is because of the unprecedented times we are witnessing with Corvid19. But I want people to be able to have a good look at it and hear what it’s all about. Even if they can’t get to the market hall.
My selected word/phrase for the year is Breathing Space. This idea of a word or phrase for your year, was part of the Juiced up Best Art Year 2020discussions. You can see my plans for 2020 in my January blog here. Now, for those of you that know me, it will probably make you laugh out loud!! Because, I’m not that good at this ‘taking a breather’ notion. In fact, I’m really hopeless at it. So, why choose Breathing space and what do I think it’s going to mean for me this year-both in my life and my art?
The Cambridge dictionary defines Breathing space as:
‘A period of rest in order to increase strength or give you more time to think about what to do next’.
Now with that definition, I’m not sure why anyone wouldn’t want to take regular breathing space? And it goes on, with some other related words: recharge then, (would you believe?): slob, moribund and dormancy. The later, may of course be the reason why I am rubbish at this: I somehow give the notion a negative label. I have somehow perceived it as ‘wasting time, and a lazy thing to do. When I came up with the phrase for my 2020 word, I didn’t think about it, it just came into my head in a moment. I think there is something important that I need to learn here about the value of recharging.
Breathing Space (In life)
It is so easy, with the pace of life and everything 24/7, including social media, to forget to stop. We are habitual creatures. So once we establish a pattern, we tend to keep repeating it.
This weekend, for the first time this year, I didn’t spend Saturday working. I went to a café, had a good chat, watched the world go by and went to the cinema. But this breathing space didn’t come naturally. If I am honest, the thought of doing this blog nudged me into doing some of that! But I did it, and I felt better for it. It somehow gave me space to think and to gain perspective on things. When I go from one thing to another, always focusing on my endless list of tasks, I loose that perspective. Anxiety and stress builds and I can’t see the wood for the trees! Now when the weather improves it will more likely include going for walks, as well as reading a book, doing pilates, anything that breaks the cycle of work, even for a few hours. From yesterday’s experience and other occasions, I am beginning to learn how much value this breathing space provides. It makes me feel fresher, more able to deal with other pressures, and it restores me. But breaking the cycle is hard. I intend to incorporate breathing space time into my planner!!
Breathing Space (In my art)
This week, I have been following an excellent free online workshop called Art2Life. It’s made me think about many things, in particular:
About the importance of contrasts in art (that’s essentially what the sessions have been about) and
About whether to make my life even more busy by taking an intensive 12 week programme!
So what has this got to do with breathing space? The contrasts idea is interesting. So, in a busy life, we need to contrast that with calm and quiet time (the opposite). Similarly, in a painting, we can maximize the impact of the busy areas, by sitting next to quieter, calmer areas. It makes perfect sense!
Now, If I take this 12 week programme , I realize that my breathing space will be even more important. So it’s not whether I am very busy that is the issue, it’s whether I balance that with some breathing space. It must be possible for all of us to do that?
And as I type this, an email comes into my box from Etsy: ‘Need a little breather…..’ Very topical!! It’s a slow process, but I’m learning!
How about you. How do you ensure breathing space in your life?
The Joy of Journaling was unknown to me until about 6 months ago. Before then, the only type of art journal I used was a sketchbook full of my latest on location drawings. But these were not for evolving, testing and solving. So what made me start keeping a different type of journal; what changed?
These days there are all sorts of places for exhibiting art, outside of the traditional gallery. Pop up Galleries, Art Fairs, Open Studios, Pubs and cafes etc are all possibilities. But it’s not always easy to know what is going to work best for your work. There are definitely pros and cons, and often there appear to be positive and less positive experiences for any one of these! Therefore, I am taking the approach of keeping an open mind and just going with what feels right.
I think I’m an organised person, but I’m not sure that it comes naturally! Perhaps its one of those ‘Eat Your Greens, they are good for you’? My 2020 Art Year plan has come about through two motivations:
Over the past 6 weeks I have taken part in a second on-line course called Find Your Voice (FYV) withLouise Fletcher. This is a follow on to the Find Your Joy (FYJ) course. You can read my review, including my results, from FYJ here. The purpose of this second course was to continue to focus on developing our own personal voices. But with an intention in mind and looking at 4 key painting principles: tone; composition; colour and mark making.
I’ve delivered a wide variety of exciting commissioned illustration projects throughout 2019. These include: a number of building-related commercial pieces. A wedding in Cheshire. Several key reportage (visual journalism) illustration projects and a book cover! Although I have shared some of these projects in dedicated blogs, this blog is an overview of some of these illustration projects.
Over the past 10 weeks I’ve taken part in an inspiring on-line painting course: Find Your Joy with Louise Fletcher. After taking a short taster course in August I was really intrigued and motivated to do more! This isn’t your usual painting course!!
In September I was fortunate enough to spend a week on the west coast in Wales. The weather, starting to show signs of autumn, with a nip in the air and colours of change, held up. I spent most days walking ( the Pembrokeshire coastal path) and sketching. I love autumn!
Manchester Histories, in partnership with Manchester City Council, commissioned me to document ‘From the Crowd‘ in a series of Reportage of Peterloo 2019 illustrations. You can read more of my reportage work here. This Peterloo 2019production is a musical theatre piece, co-produced with Walk The Plank and Brighter Sound and involving a large number of volunteers (Laurels). These volunteers then supported members of the public to deliver this impressive collaborative performance. In the words of the production’s Creative Director, Evie Manning (CommonWealth): ” From the crowd is a dialogue between 1819 and 2019. We’ll be remembering those that protested and lost their lives at Peterloo and those whose lives today are affected by different oppressions”
In a previous blog, I explained some of the approaches I am taking to my mixed media collage works. You can read it here. Recently I’ve been working on two new mixed media collage pieces. They are based on a series of Oldham sketches. It’s proving to be a bit of a challenge to say the least!
Over the last couple of years I have started to create mixed media collage art. In the last few months I have started to evolve them in a different, less literal direction. This blog post reflects on this new start point.
