Urban Collaging in Porto (Prit, Poscas and pencils are perfect for Porto)…

bridgecollage_lizAckerley

Those of you that follow me on my blog and on my social media platforms will realise that I have been developing my collage work for a while, alongside my sketching work (see previous Urban Sketching in Porto blog).  However, my trip to Porto is the first time that I have developed my urban collaging pieces out on location.  Collage for me is a natural mixed media technique.  With a background in landscape design and an interest in the materiality of things, it gives me the opportunity to explore both texture and composition and to present them in a finished piece of art.    This blog shares the approach I have taken to develop the sketchbook pieces and explains their possible future development. Continue reading

From Chorlton To The City: Illustration techniques

Chorlton exhibition

Since January of this year I’ve been working on a little exhibition of my work called: From Chorlton To The City.  The exhibition is at The World Peace Cafe, The Kadampa Meditation Centre, Chorlton.  The preview is on Friday 4 th May 5-8 pm.  In this second part of a two-part discussion about the work (you can read the first part here), I’ll explain the illustration techniques I’ve used.  There are 3 different types of images in the exhibition: Colour-first sketches; Ink-first maps and Collages. Each approach requires specific techniques.

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What Next?

I can’t believe that we are already into February and My last blog was over a month ago!  To be fair I have moved and it does take a while to settle and organise.   Excuses aside it’s good to be back!  As this is my first blog of the year I thought I’d share my plans for 2018.  I’m really looking forward to the challenges of some new approaches: The ‘What Next’?  My commissioned reportage work including several weddings (London and the North West) will also continue to be a focus of my time this year.   I am also always on the look out for new reportage projects.  Here are some additional things to keep me busy!: Continue reading

Time for change (snappy sketching)!

penandink sketching mossley

I can’t believe that its been so long since I posted on here, the topic of this blog will give you a better understanding of why!

I have never been a very fast sketcher so snappy sketching has not been a particular focus.  This is despite the fact  that I do a lot of capturing things as they are happening in my drawings!- my subjects are very varied from weddings to events and special occasions to the development of places and capturing aspects of scientific research.  You can check out some of my #reportage projects here.

In order to manage my time better and achieve a finished sketch more quickly I have historically turned to colour first.  I love this approach but with an A4 size or more it still takes hours rather than minutes.  Then a few months ago lots of things started to change.  Well they say that a change is as good as a rest!  I got a small studio; an additional job; I was travelling more.. You get the picture!  Sketching every day was not going to be easy and pretty much impossible in the way I had been sketching.  I started to take my trusted Duke Fude and notebook in the car and spend 15 – 20 min maximum ( often no more than 10) sketching before work.    Under these circumstances, colour wasn’t an option and I wanted to create illustrations that had at least some identity with the place/people!

A preferred approach to snappy sketching :

  • My sketchbook is anything that has good quality cartridge paper (that doesn’t have to take watercolour) and is no bigger than A5 size. My current sketchbook for this type of drawing is an A6-size handbook with a hard cover.
  • I use only one drawing implement.  My current preference, virtually exclusively is the Confucius Duke 55 fude with black ink.  This wonderful pen enables me to vary my line width and add darks easily.
  • My preferred drawing approach is single line contour (at least in principle!).   That way, even though I don’t have time for endless measuring, I can use the contour approach to get a reasonably proportional sketch.  Sometimes, when I am in a hurry, I try to cut corners and it really doesn’t work very well!
  • Most of these sketches are done from the warmth and comfort of the car.  Although people sketches tend to be on a bus or cafe.  Busy street scenes have also been captured standing in the street.
  • I try to use simple texture and darks to add depth and interest to the sketch.  This is even more essential in a black and white drawing.
  • I’m still keen to have a layering of foreground, middle ground and background to create depth in the sketch, using weight of line and detail to try to convey this.
  • Simplification is critical at this scale and I try to fade the detail out towards the edges of the sketch.

Recent Snappy Sketching examples

On the way to work

Top and Middle Mossley

penandinkdrawing Mossley

Bottom Mossley (Manchester Road)

penandink sketching mossley

Around Woodend Mill, Mossley

Sketching woodend Mill

Sketching from the street :

OxfordRoad PenandInk LizsScribbles Pen and Ink Bury St Edmunds LizsScribbles

People

people sketching LizsScribbles

 

As you can see, there is nothing particularly new about the approaches I am using.   But I haven’t done this type of sketching routinely before.  It’s useful to have a range of approaches for different situations and this simple quick technique means that however time-poor I am, there is always a sketch to be done!.

Reportage-Why I fell in Love with it!

The Oxford English Dictionary cites the origin of the word ‘reportage’ to come from the Early 17th century French, from Old French reporter ‘to carry back’.   In this way, reportage illustration is a form of visual journalism, visual storytelling.  You go out into the world around you and take back with you that experience.   That memory, in drawn form, with pen, and ink and…. whatever else it is possible to record onto a surface with. Continue reading

What view to sketch?-Welcome to the Neighbourhood

LizAckerley_welcometotheneighbourhood

Last weekend whilst out sketching , one of my fellow sketchers asked: how do you go about choosing your view to sketch?  It’s an interesting question and it got me thinking beyond the theory of composition, at how exactly I choose my view to sketch .   Here in a short summary; mainly illustrated with recent sketches of my local area  are some of the things I take into account when  deciding which view to draw and what to include.  Note that with most of them, there is more than one reason the composition was chosen. Continue reading

As 2016 Draws to a close…. My Sketching Stories of the year

Lizsscribbles2016compilation

As 2016 draws (get it!) to a close, I thought I’d capture my year in sketches ( some but not all of them!), partly as an aide memoire (those of you that read my blog know how I like to document my drawing adventures!) and partly to reflect on where I’ve been and where I’m going.  Its been quite a year in many respects and those of you that have followed my #scribblescompilations on social media in my 12 days of Christmas countdown, will be familiar with most of the combinations below.  However, this blog puts a narrative to the visuals and  I have tried to group things so that you can see more of the approaches and types of things that I am interested in recording and the approaches I’ve taken to drawing. Continue reading

Liz Steel’s Buildings Course: My takeaway messages

lizsscribbleslesson3salfordgallerycoloured-copy

This blog is not really a review of the course as much as a brief summary of my results and key learnings, so it’s something for me that I can return to as an aide memoire. I try to do this for all the drawing courses I take as a way of making the most from them.  The course was, as usual for Liz Steel’s courses, packed full of useful examples and tips about drawing architecture not to mention some excellent demos and incredible handouts so its well worth checking it out when she runs it again. Continue reading

After the dust has settled :What I learnt from my correspondent role at #USkManchester2016

What an absolutely amazing week at the Manchester Urban SketchersSymposium  (27th-30th July 2016)!  I don’t think anything would have fully prepared me for the incredible experience of meeting and sketching with like-minded artists from around the world! It was just magical to see the city I have come to know and love being portrayed by skilled sketchers from near and far.  It was also a wonderful sight to see the streets lined with people drawing together, old-friends and new friends.  It is a little hard to settle now that it is over so, as a kind of wrap-up from me, an attempt to collect some thoughts and learnings, this blog summarises my role as local correspondent, what I learnt from it and what next!  The images are a mix of sketches done post-symposium, they are not necessarily with a specific theme or purpose, other than to get me back into sketching!

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Preparing for #USkManchester 2016: context, Colour and Kit

My goodness time is getting short before the start of the International Urban sketching here in Manchester next week (from July 27th) although really, it begins when people start arriving this coming weekend!  This is the second blog about my preparation for my role as correspondent at the symposium.  In this blog, having addressed some of my people practice in the previous preparation blog I am going to be talking about context and colour  before finishing with a quick summary of my sketch kit for the occasion! Continue reading

What’s your Story?

I cannot believe that I have not posted a blog on here for nearly 3 weeks.  But I have a few excuses: firstly I have had a pretty hectic time with a few big commissions, including #citiesofhope and The Manchester Histories Festival.  Also, I have been writing blog posts as part of those commissions as well as posting on the Urban Sketchers blog on a weekly basis with my countdown to the Symposium sketches.  Am I forgiven yet?   The other thing that has been taking my time is that I have been running some Urban Sketching workshops, some for the Manchester Histories Festival and then this week I have had two days running two workshops at the Creative and Media Academy here in Manchester (MCMA).  It is this week’s workshops that I am going to talk about in this blog. Continue reading

Ready Steady…Sketch

Over the last few weeks I have started to think more about quick capture and how best to produce the best sketches when I have limited time.  Of course I am thinking about my forthcoming role as correspondent at the 7Th Urban Sketchers Symposium (#USkManchester2016) here in Manchester in the summer and wondering how I best adapt my current approaches to be able to deliver!   With this in mind I have been trying a few sketches using watercolour first and here are the results. Continue reading