Drawing at a wedding at Browsholme Tithe Barn: Capturing the special day in sketches

LizsScribbles_BrowsholmeWeddingDrawing2

This May I was fortunate enough to be commissioned to capture a wedding celebration at Browsholme Hall Tithe Barn, outside of Cliteheroe in Lancashire, UK. Reportage Illustration, the art of visual storytelling, is a particular interest of mine. You can read about the sorts of thing I’ve covered through reportage sketching here, including events and special occasions, travel destinations, restoration projects and journalistic correspondence. The focus of my work is to capture a sense of place, a sense of occasion and a sense of emotion. Weddings are therefore a natural occasion for me to be interested in drawing. Continue reading

And the results are in…Our first Sketchbook Sketching Foundation Course

ArtWorkshop

This last weekend, we (myself and fellow artist Hugh Winterbottom) ran our first Sketchbook Sketching Foundation workshop which aimed to equip people with some of the techniques and skills for drawing out on location and for recording their world in sketchbooks. It was an action packed two days (9.30-16.30 Saturday and Sunday) with a range of subjects covered and lots of opportunity for sketching practice. This blog gives an overview of the weekend and what we learnt in the process. Continue reading

Introducing my #ThisPlace series of original sketches

I thought I’d write this Q and A piece to fully explain what my #ThisPlace Series of sketches is all about before its launch later this month. What is it? Those of you that know my work will know that I am a keen urban sketcher and reportage illustrator. As a landscape designer in a previous life, depiction of a ‘Sense of Place’, capturing in my drawings, what it is that makes that place like it is, is very important to me. Therefore, I wanted to create a series of drawings throughout the year, of the Places around the Northwest that I love, visit and connect with. Hence the name ‘This Place’ Of course I may include the odd drawing in the series that is not the North West of England, but for the main part, they will be of the North West, including Manchester but certainly not exclusively. These pen, ink and watercolour wash/coloured pencil drawings created, on very high quality watercolour paper (or paper suited to the medium) and framed will be available for purchase. They will be either A4 or square (8” format) (ex. Frame). What are those cards and envelopes with handwriting you’ve been sharing? Accompanying each and every original will be a handwritten card from me. The envelope will denote the ‘This Place’ series and the card will contain the title of the piece. Inside will be a short piece about the location and any interesting facts that I come across! I hope it adds to the enjoyment of the artwork. For example, there is a Peter Kay link to my very first in the series called Gated Alleyway! Why do it? In a nutshell, I wanted to be able to sell original drawings/paintings in a way that was accessible to a wider group of people that weren’t commissioning me as such but wanted an original. It will run alongside my commissioned work. What is the launch all about? For anything like this, there has to be start-point! But it is not a usual exhibit all the drawings/paintings in a gallery. It won’t work like that as I am creating the pieces ongoing, each month. Therefore, I will have 3 to start it all off. All 3 are of my very local area in Salford. Its an eclectic mix! I am going to be exhibiting them as part of a wider exhibition of the Art Of Salford, curated by Tony Easom of our local Art Club and available to view and purchase at the Cornerstone Community Centre, Langworthy Road, Salford from 27th March 2017. Where will the pieces be available; how can I see them? For the first pieces, you will be able to see them at the Cornerstone as detailed above. However, for subsequent pieces low resolution images will be posted on my social media pages on-line and you can then contact me directly to secure a purchase. Purchase will be on a first come first served basis. What places will be captured? Anywhere that I’d like to capture; there will be well-known landmarks and less known places. Mostly I will try to capture those that define a sense of place for me; that characterize that place. You will also be able to nominate a place, I won’t necessarily go there but I might well do! And if your recommendation has influenced me to go there, you may get first refusal to buy that drawing! How many are available? Mm, I’m not sure yet. I will be doing at least 2 a month minimum (maybe quite a few more!), and I will carry on for as long as it feels right and I have interest to do it. But remember, I don’t have a room full of them, 3 different scenes for launch, then several per month, so it is an ongoing project with a start of March 2017. How much will they cost? Good question and that depends on size, but for the small square 8” they will initially be £80 framed plus postage and packing. Will there be prints available? I am likely to be selling limited edition high quality giclee prints of the most popular drawings and these may well be towards the end of the year at Arts and Artisan markets or similar. How did I do? I hope this gives more of a flavor for this series of work and I really look forward to sharing them with you as they are developed.

I thought I’d write this Q and A piece to fully explain what my #ThisPlace Series of sketches is all about before its launch later this month.

What is it?

Those of you that know my work will know that I am a keen urban sketcher and reportage illustrator. As a trained landscape designer, depiction of a Sense of Place’, capturing in my drawings, what it is that makes that place like it is, is very important to me. Therefore, I wanted to create a series of drawings throughout the year, of the Places around the Northwest that I love, visit and connect with. Hence the name ‘This Place’   Of course I may include the odd drawing in the series that is not the North West of England, but for the main part, they will be of the North West, including Manchester. These pen, ink and watercolour wash/coloured pencil drawings created on very high quality watercolour paper (or paper suited to the medium) and framed will be available for purchase. They will be either A4 or square (8” format) (excluding the Frame so a little bit larger with the frame and mount).

Continue reading

Rose-tinted glasses (on grey-toned paper)…..

LizsScribbles_Rose Tinted Glasses

Over the last few weeks I have been using grey-toned Strathmore Paper to create drawings, in addition to my usual watercolour sketches on white watercolour paper and in sketchbooks. The contrast between the two different approaches means that I have had to think about the various aspects of drawing and adding colour and darks in different ways to what I have been used to. This blog outlines my approaches. In parallel with this toned-paper work, I have had my eyes tested and have now reverted to wearing a combination of reading glasses and varifocals.   The later should be much better for when I am out and about drawing! One of the two pairs is indeed rose coloured and I must admit to thoroughly enjoying my work on toned paper. Long may my rose-tinted glasses serve me well! Continue reading

Drawing every day: a doddle or a drama?-Diversity is the key

LizsScribbles_RedLion

When I first started drawing very regularly in 2013/14 I set myself a task to be drawing every day within 6 months. I managed that and at the time, well, until recently, I had done that. I was often doing several drawing courses, e.g. Craftsy, on-line sessions like Sketchbook Skool etc. It didn’t seem so hard. There was a variety to draw and there was direction.   But as time went on, I got my own direction, my own commissions and yep, my own pressures! Bigger (I started with A5 sketchbooks but now I usually use A4 or bigger, paper or sketchbooks (a topic for another blog!), more detailed, more text, …more time…It was a treadmill and I got the impression that If I stopped, I might never start again! Continue reading

What view to sketch?-Welcome to the Neighbourhood

LizAckerley_welcometotheneighbourhood

Last weekend whilst out sketching , one of my fellow sketchers asked: how do you go about choosing your view to sketch?  It’s an interesting question and it got me thinking beyond the theory of composition, at how exactly I choose my view to sketch .   Here in a short summary; mainly illustrated with recent sketches of my local area  are some of the things I take into account when  deciding which view to draw and what to include.  Note that with most of them, there is more than one reason the composition was chosen. Continue reading

Liz’s Scribbles at Sale Arts Trail Christmas Bazaar: Let the countdown begin…..

lizsscribbles Saleartstrail

A couple of weeks ago I posted a blog about the process of creating my artworks including prints and my 2017 Calendar for my stall at Sale Arts Trail Christmas Bazaar on Sunday 27th November 2016.  You can read it here.  We are now only days away from the festivities so I thought I would give you an update with some snippets of what I’ve got in store for you at the Bazaar.  As I mentioned in my previous blog, although I have been a frequent visitor and sketcher at the previous events, I have not exhibited before so its a super exciting time for me (with a little bit of nervousness thrown in for good measure!). Continue reading

Memories of Home

LizsScribbles_gardenroom1

This last month (to the day) has seen some drama in our house. When I say ‘our’ house, I use that as a general term. It’s the place I grew up, not the same house I spent my childhood in but its home because the people (my mum and dad plus others) and the ‘things’ make it so.   It’s where I have so many memories and now I have been given some time to be able to capture them in drawings. Not that I have had too much time yet, but I have made a start and I will continue. So this blog is about drawing memories: a sense of place and sense of things. Continue reading

Sketching at Manchester City and ChinaTown: Defining the Sense of Place

lizsscribbles_chinatown

Over the last two weekends, I have visited two different Manchester locations to draw:  The Etihad Stadium in East Manchester, the Manchester City Football Club grounds and ChinaTown in Central Manchester. Each of  these drawings were created over a several hour period: pencil, ink then watercolour (paint and pencil).  In terms of identifying the best main view and composition, I did this by walking around the site and observing different aspects: the angles, the depth of view, the light and shadow etc.  The other thing I do is to write down (or at least have in my mind) key words that reflect what I feel for the place and what I want to convey in the main sketch.  I can then refer to this as I draw.  Continue reading

Sketching as therapy

LizsScribbles_industrialManchester

To say that it has been a traumatic week sounds dramatic.  I received an urgent call on Wednesday lunchtime.  By Wednesday evening I was standing outside the Stroke unit in my hometown down in Suffolk.  Hugging my parents and wondering what was next.  The corridor setting was quiet, cold, remote and downright scary.  There seem to be 3 types of people around; those going about their daily routine; those who have come to know this as their daily routine and the downright fearful.   Continue reading

Sketches for autumn

Autumn has always been my favourite season.  For two main reasons: firstly the quality of light ; lower in the sky but with a warm glowing quality: in the UK it has often been a sunny and bright season.  Predictably, the second reason is for the stunning colours; burnt reds; rich oranges and simmering golds; magentas and the like. Continue reading

Holiday sketching: Zante in a sketchbook

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As promised, this is the second post of my holiday sketches from Zante, the first, arguably more polished sketches, can be found here.  I am so pleased that I decided to take a small portable A5 moleskin watercolour sketchbook as well as working on loose paper.  The sketchbook enabled me to record my visual diary, in parallel with the finished pieces on paper and importantly, it allowed me to be looser, more experimental, less polished and to have fun!    Continue reading