Urban Collaging in Porto (Prit, Poscas and pencils are perfect for Porto)…

bridgecollage_lizAckerley

Those of you that follow me on my blog and on my social media platforms will realise that I have been developing my collage work for a while, alongside my sketching work (see previous Urban Sketching in Porto blog).  However, my trip to Porto is the first time that I have developed my urban collaging pieces out on location.  Collage for me is a natural mixed media technique.  With a background in landscape design and an interest in the materiality of things, it gives me the opportunity to explore both texture and composition and to present them in a finished piece of art.    This blog shares the approach I have taken to develop the sketchbook pieces and explains their possible future development. Continue reading

Holiday sketching: Zante on Paper

lizsscribbles

For a while I have been torn between using loose watercolour paper to create my sketches and recording in sketchbooks.  There are pros and cons and as an urban sketcher with an interest in telling chronological stories through drawing,  I have often worked in sketchbooks (moleskine, Stillman and Birn, SeaWhite, Handbook) and most often at A5 size for its portability.  For me, the issue with using that approach alone is three-fold: one is the size is arguably a little small (although of course you can buy larger size sketchbooks, but then there is the size and weight!) ; secondly  creating prints from them is not always straightforward.  The third is that because work for prints was in my sketchbook, I was getting tighter and more precious with my sketchbook work (which is the opposite of what I want!).   Continue reading