Reportage-Why I fell in Love with it!

The Oxford English Dictionary cites the origin of the word ‘reportage’ to come from the Early 17th century French, from Old French reporter ‘to carry back’.   In this way, reportage illustration is a form of visual journalism, visual storytelling.  You go out into the world around you and take back with you that experience.   That memory, in drawn form, with pen, and ink and…. whatever else it is possible to record onto a surface with. Continue reading

Drawing every day: a doddle or a drama?-Diversity is the key

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When I first started drawing very regularly in 2013/14 I set myself a task to be drawing every day within 6 months. I managed that and at the time, well, until recently, I had done that. I was often doing several drawing courses, e.g. Craftsy, on-line sessions like Sketchbook Skool etc. It didn’t seem so hard. There was a variety to draw and there was direction.   But as time went on, I got my own direction, my own commissions and yep, my own pressures! Bigger (I started with A5 sketchbooks but now I usually use A4 or bigger, paper or sketchbooks (a topic for another blog!), more detailed, more text, …more time…It was a treadmill and I got the impression that If I stopped, I might never start again! Continue reading

Reportage of the Chinese New Year Celebrations in Manchester 2017

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Despite the weather in Manchester over the weekend (wet and cold on Saturday, cold then wet on Sunday!) vibrant colours and a celebration-feel lifted our spirits in the city centre as the Chinese New Year Celebrations took hold in several places, from Exchange Square to Deansgate and China Town.   I spent some time on both days (although the celebrations were actually a four day event with New Years Day being Saturday 28th January), trying to capture some of this ‘sense of occasion’ in sketches. From the costumes to the dancing and decorations, the colours and the crowds, it was a festival for the eyes and ears and a challenge for our sketching spirits!

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What view to sketch?-Welcome to the Neighbourhood

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Last weekend whilst out sketching , one of my fellow sketchers asked: how do you go about choosing your view to sketch?  It’s an interesting question and it got me thinking beyond the theory of composition, at how exactly I choose my view to sketch .   Here in a short summary; mainly illustrated with recent sketches of my local area  are some of the things I take into account when  deciding which view to draw and what to include.  Note that with most of them, there is more than one reason the composition was chosen. Continue reading

As 2016 Draws to a close…. My Sketching Stories of the year

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As 2016 draws (get it!) to a close, I thought I’d capture my year in sketches ( some but not all of them!), partly as an aide memoire (those of you that read my blog know how I like to document my drawing adventures!) and partly to reflect on where I’ve been and where I’m going.  Its been quite a year in many respects and those of you that have followed my #scribblescompilations on social media in my 12 days of Christmas countdown, will be familiar with most of the combinations below.  However, this blog puts a narrative to the visuals and  I have tried to group things so that you can see more of the approaches and types of things that I am interested in recording and the approaches I’ve taken to drawing. Continue reading

Liz Steel’s Buildings Course: My takeaway messages

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This blog is not really a review of the course as much as a brief summary of my results and key learnings, so it’s something for me that I can return to as an aide memoire. I try to do this for all the drawing courses I take as a way of making the most from them.  The course was, as usual for Liz Steel’s courses, packed full of useful examples and tips about drawing architecture not to mention some excellent demos and incredible handouts so its well worth checking it out when she runs it again. Continue reading

Liz’s Scribbles at Sale Arts Trail Christmas Bazaar: Let the countdown begin…..

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A couple of weeks ago I posted a blog about the process of creating my artworks including prints and my 2017 Calendar for my stall at Sale Arts Trail Christmas Bazaar on Sunday 27th November 2016.  You can read it here.  We are now only days away from the festivities so I thought I would give you an update with some snippets of what I’ve got in store for you at the Bazaar.  As I mentioned in my previous blog, although I have been a frequent visitor and sketcher at the previous events, I have not exhibited before so its a super exciting time for me (with a little bit of nervousness thrown in for good measure!). Continue reading

Memories of Home

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This last month (to the day) has seen some drama in our house. When I say ‘our’ house, I use that as a general term. It’s the place I grew up, not the same house I spent my childhood in but its home because the people (my mum and dad plus others) and the ‘things’ make it so.   It’s where I have so many memories and now I have been given some time to be able to capture them in drawings. Not that I have had too much time yet, but I have made a start and I will continue. So this blog is about drawing memories: a sense of place and sense of things. Continue reading

Sketching at Manchester City and ChinaTown: Defining the Sense of Place

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Over the last two weekends, I have visited two different Manchester locations to draw:  The Etihad Stadium in East Manchester, the Manchester City Football Club grounds and ChinaTown in Central Manchester. Each of  these drawings were created over a several hour period: pencil, ink then watercolour (paint and pencil).  In terms of identifying the best main view and composition, I did this by walking around the site and observing different aspects: the angles, the depth of view, the light and shadow etc.  The other thing I do is to write down (or at least have in my mind) key words that reflect what I feel for the place and what I want to convey in the main sketch.  I can then refer to this as I draw.  Continue reading

Sketching as therapy

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To say that it has been a traumatic week sounds dramatic.  I received an urgent call on Wednesday lunchtime.  By Wednesday evening I was standing outside the Stroke unit in my hometown down in Suffolk.  Hugging my parents and wondering what was next.  The corridor setting was quiet, cold, remote and downright scary.  There seem to be 3 types of people around; those going about their daily routine; those who have come to know this as their daily routine and the downright fearful.   Continue reading

Sketches for autumn

Autumn has always been my favourite season.  For two main reasons: firstly the quality of light ; lower in the sky but with a warm glowing quality: in the UK it has often been a sunny and bright season.  Predictably, the second reason is for the stunning colours; burnt reds; rich oranges and simmering golds; magentas and the like. Continue reading

Holiday sketching: Zante in a sketchbook

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As promised, this is the second post of my holiday sketches from Zante, the first, arguably more polished sketches, can be found here.  I am so pleased that I decided to take a small portable A5 moleskin watercolour sketchbook as well as working on loose paper.  The sketchbook enabled me to record my visual diary, in parallel with the finished pieces on paper and importantly, it allowed me to be looser, more experimental, less polished and to have fun!    Continue reading

Holiday sketching: Zante on Paper

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For a while I have been torn between using loose watercolour paper to create my sketches and recording in sketchbooks.  There are pros and cons and as an urban sketcher with an interest in telling chronological stories through drawing,  I have often worked in sketchbooks (moleskine, Stillman and Birn, SeaWhite, Handbook) and most often at A5 size for its portability.  For me, the issue with using that approach alone is three-fold: one is the size is arguably a little small (although of course you can buy larger size sketchbooks, but then there is the size and weight!) ; secondly  creating prints from them is not always straightforward.  The third is that because work for prints was in my sketchbook, I was getting tighter and more precious with my sketchbook work (which is the opposite of what I want!).   Continue reading